'Orion in the dark', those fears that we never overcome
Filmmaker Javier Chavanel updates us on news in the film industry, with special emphasis on this film scripted by Charlie Kaufmann. Orion and the Darkness , scripted by Charlie Kaufmann and which can be seen on the Netflix platform, is the recommendation that filmmaker Javier Chavanel proposes to us this week. He considers that this is a rarity in the work of Kaufmann, known for his work on Being John Malkovich or Forget About Me . This animated film, aimed at children "in quotes", talks about "that fear that we never lose and how to live with it", which makes it a film worth appreciating at any age. A review of the Goyas Chavanel gives an account of the Goya Awards gala, in which Sigourney Weaver's speech stands out in which she thanks the work of her Spanish dubbing artist, the actress María Luisa Solá, "something unprecedented because it is a very ignored profession." Likewise, Chavanel considers that the great film of the year has been They Know That , by David Trueba, dedicated to the life of the comedian Eugenio, "which is far above the others." He highlights the best actor award for his protagonist, David Verdaguer: "A somber film, but realistic and effortless.
Carl Weathers Finally, Chavanel echoes the death of actor Carl Weathers, known for his participation in the first four installments of Rocky . by Sylvester Stallone. This is an actor, and a saga, somewhat discredited that, over the years, deserves greater recognition. The director, María José Manso. points out that the film and series script laboratory allocates more places to scriptwriters from the Archipelago itself. The Government of the Canary Islands begins the third edition of IsLABentura Canarias, the scriptwriting laboratory on stories from the Europe Mobile Number List islands for film and television. The new call introduces several new features, among them, allocating at least half of the 14 available places to scriptwriters from the Archipelago itself, while reinforcing international dissemination, especially in Latin American territories, where this initiative is awakening interest as a result of the campaign carried out in the last edition of the Ventana Sur audiovisual market, in Argentina. The director of IsLABentura Canarias, María José Manso, explains that this edition will once again have the collaboration of prominent local, national and international entities and producers, who have shown their interest in 'listening' to these stories once the different events are over. phases of the laboratory, and some will even expand their collaboration.
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The call also comes with an extensive training program and an exquisite team of professionals who will be in charge of advising the 14 screenwriters who are selected. The call is organized by the General Directorate of Cultural Innovation and Creative Industries of the Government, through Canary Islands Film. The bases and details of it are now available at www.islabenturacanarias.com, along with a bank of stories about the eight islands that are offered as a source of inspiration for interested people. The submission period will be open until February 23. The team of professionals who will ensure that each selected story has the best possible audiovisual script after passing through the laboratory, will be completely new compared to previous editions, except in the case of Diana Rojo (screenwriter of Luimelia, Amar es para siempre) , which repeats this year. Joaquín Oristrell joins (Bajarse al moro, What women laugh at), Yolanda García Serrano (Farmacia de Guardia, All men are equal), Pepe Coira (Hierro, Rapa), David Muñoz (El espinazo del diablo, Don't look in the eyes), Marta Buchaca (Fenómenas, The Game of Keys) and Isa Sánchez (The Ministry of Time, Malaka). Who can apply Any screenwriter in the world who wishes to develop a fiction script based on the islands (in Spanish) and within a period of six months can apply for the call.
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